A magical illustrated story by Brian Selznick, The Invention of Hugo Cabret, inspired Martin Scorsese's first family film, which has been nominated for nine Baftas and 11 Oscars. Here are images from both
Sat 11 Feb 2012 19.05 EST First published on Sat 11 Feb 2012 19.05 EST
Scorsese's first excursion into what the Americans call 'family cinema' is the adventure of a lone child in a tradition as established as Oliver Twist.
Brian Selznick, author of The Invention of Hugo Cabret: 'What interests me about clocks is that everything is hand-made, and yet to the person looking at the clock, something magical is happening that cannot be explained unless you are the clockmaker.'
Hugo's father leaves behind a notebook. Brian Selznick says: 'I think that, however happy a family, every intelligent child thinks: "How did I come to be born to these parents?"'
The automaton: Scorsese's film is – for all its state-of-the-art 3D and its director's masterful eye – closer to, and more respectful of, the work on paper than any adaptation that comes to mind.
Brian Selznick: 'People use computers more and more, which erase the hand of the artist – and I wanted to do something in which you see the hand of the artist.'
The drawing made by the automaton. Brian Selznick says: 'I began to think about the connections between clock-making, automata and magic – and the magic of film that was also hand-made.'